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-- -- content on this page requires a newer version of adobe flash player. -- with over 30 years in professional show-business, is known industry wide as one of its most versatile performers. the internationally acclaimed opera singer is also well versed in the areas of musical-theater, night club/cabaret, voice-overs, and his continuing career in the classical vocal arts as a recitalist, master-class instructor, and symphonic guest artist. click here to read more. click here for an interview with david keep up to date with "everything cangelosi" by following him on facebook or twitter. the san francisco treat june 28th, 2018 june 28, 2018 san francisco was officially incorporated in 1850, well after it’s founding by spanish colonists in 1776, and only shortly after the population explosion that erupted at the time of the gold rush in 1848. while becoming a city-county a few years thereafter in 1856, those “miners, 49’rs” set into motion a modern city that would see earthquakes, the birth of the united nations, the hippie culture, gay rights revolutions, all forms of political activism, and enthusiastic tourism. bridges, a very distinct penitentiary, fisherman’s wharf, bay ferry terminal, the embarcadero, chinatown(s), and cable cars only add to san francisco’s allure. the city also has some extreme problems: severe homelessness, overt drug use and abuse, out of control housing costs, paralyzing traffic, and even some sinking buildings(!). what an incredible, if trying, 168 years it has been here in san francisco. this sentiment has been furthered once again in 2018, as it was in 2011, as it was in the 1990’s…by the invasion of wagnerians from all over the world. as the san francisco opera is nearing completion of another iconic run of richard wagner’s der ring des nibelungen , i am reminded of one of my favorite childhood jingles that touted a rice/vermicelli/herb-packet side dish that everyone knew as “ the san francisco treat ”. rice-a-roni is as identifiable by side dish lovers, as the san francisco opera is to ‘ring-heads’. to see the roughly 3,300 seat opera house filled to capacity every night over three weeks for 12 performances, or 3 full cycles (four individual operas per cycle)—not to mention a 4 th cycle if we include our final dress rehearsal package—is as satisfying to my eyes as that side-dish was when i saw it on my plate. the monumental effort put forth by opera company administrators and their support team, and the eventual achievement by its singers, orchestral musicians, directorial and musical staff, stage-management/stage crews/lighting/costume/makeup/set designers is, as maestro donald runnicles described it: “like breathing the rarefied air at the top of mount everest.” the real ‘delectable’ associated with this ‘ san francisco treat ’, however, has been the marvelous audience members who have packed the rafters of this august opera facility for seventeen hours over four days, to witness and experience the greatest musical and dramatic epic ever penned in the theatrical lexicon. i have gone so far as to suggest to company administration that the house lights be brought up momentarily during the curtain calls so that—for just a few precious moments—the onstage talent could applaud our audiences who have made a pilgrim’s journey of tens of thousands of miles to share in this greatest of operatic spectacles. we’re all in it together for the long haul. and while ‘rice-a-roni’ rarely lasted more than 17 seconds on my plate, the 17 hours of richard wagner’s impossibly complex and engrossing music-drama seems to disappear almost as quickly. der ring des nibelungen …its flavor can’t be beat! djc posted in blog | no comments » “the cunning little opener” september 26th, 2017 september 26, 2017 as reported in clevelandclassical.com by mike telin: the cleveland orchestra begins its landmark 100th season this week with a revival of yuval sharon’s critically acclaimed, made-for-cleveland production of leoš janáček’s opera the cunning little vixen . franz welser-möst leads the orchestra and a cast that will include martina janková (vixen), alan held (forrester), jennifer johnson cano (fox), andrew foster-williams (harašta), daryl freedman (lapák the dog), dashon burton (parson/badger), and (schoolmaster/mosquito). performances will take place on saturday, september 23 at 8:00 pm, sunday the 24th at 3:00 pm, and tuesday the 26th at 7:30 pm. tickets available online . writing for classical voice north america , daniel hathaway said that the digitally enhanced production was “beguiling in concept and brilliant in execution.” as part of clevelandclassical.com ’s coverage of the original production, we spoke with tenor . the northeast ohio native will once again sing the roles of the schoolmaster and the mosquito during the upcoming performances. the following article was published on may 13, 2014. by mike telin opera librettists take their inspiration from novels, novellas, plays, and legends, but rarely from a daily comic strip. “the adventures of the vixen sharp-ears,” a serialized cartoon by rudolf těsnohlídek and stanislav lolek in the czech newspaper lidové noviny gave leoš janáček the idea for his comic opera, the cunning little vixen , for which he wrote the libretto himself. is it a children’s entertainment? the characters include animals, birds, and insects, as well as a few human beings, but janáček himself seems to have intended it to be a philosophical reflection about the cycle of life and death. the plot is open to a whole spectrum of interpretation. “but i can tell you that this production will appeal to the widest public components possible,” said tenor , who sings the roles of the schoolmaster and the mosquito. “it just has something for everybody — the littlest of kids straight through to the most seasoned opera- or symphony-goer.” the cunning little vixen, a made-for-cleveland production designed specifically for severance hall and directed by yuval sharon, will feature animations by bill barminski and christopher louie of walter robot studios, projected on three giant screens. feels this production is the most innovative multimedia integration he has ever been involved with. he points out that many companies, including the metropolitan opera and san francisco opera, have incorporated projections into productions, “but this is the first time we’ve been asked to sing with our heads through a porthole and have bodies projected onto us,” he said with a laugh during a recent telephone conversation. “so we are integrated into the projections, not just having them behind us. it’s been hilariously fun because we’re being told what to do and which direction to look, while having no idea what our bodies look like — although we were able to see the animations early on during production presentations, so we do have some idea.” another feature of the production cangelosi finds fun is the use of masks. “these masks that have been created for us by cristina waltz are incredible. i must say there’s been a lot of laughter during rehearsals as we try to get the portholes open and our heads through them. i’m a mosquito, and the mask has this gigantic stinger for a nose. so until i became used to it, i was bumping into everything backstage. it’s been really funny.” throughout the conversation cangelosi spoke about the fun he and his fellow cast members are having. he attributes that to the director, yuval sharon, who is constantly in a good mood. “he laughs a lot and you can’t help but laugh with him. he enjoys a good joke — both telling one and receiving one. and if we struggled a little bit early on, it wasn’t the kind of intense struggle that leads to frustration. it’s been a struggle that has evoked laughter.” when first approached about the project, cangelosi had only a vague idea about the form the production would take. “the earliest reports were that it was going to be a semi-staged cunning little vixen .” as time passed, it became cl

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Domain Name: DAVIDCANGELOSI.COM
Registry Domain ID: 9933299_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2017-09-09T12:06:30Z
Creation Date: 1999-09-08T12:23:12Z
Registry Expiry Date: 2018-09-08T12:23:12Z
Registrar: GoDaddy.com, LLC
Registrar IANA ID: 146
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: 480-624-2505
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Domain Status: clientRenewProhibited https://icann.org/epp#clientRenewProhibited
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Name Server: DNS1.STABLETRANSIT.COM
Name Server: DNS2.STABLETRANSIT.COM
DNSSEC: unsigned
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  REGISTRAR GoDaddy.com, LLC

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =davidcangelosi.com

  PORT 43

  TYPE domain

DOMAIN

  NAME davidcangelosi.com

  CHANGED 2017-09-09

  CREATED 1999-09-08

STATUS
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  DNS1.STABLETRANSIT.COM 69.20.95.4

  DNS2.STABLETRANSIT.COM 65.61.188.4

  REGISTERED yes

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